Joe Jonas and Charlie Puth made an appearance on “Good Morning America” to announce this years American Music Awards nominations.

After the year Taylor Swift has had since her release of “1989,” it’s no surprise that she lead the pack with 6 nominations, including Artist of the Year and Song of the Year. Ed Sheeran and The Weeknd follow with 5 nominations each. Both will rival Swift for Artist and Song of the Year.

American Music Awards nominations are determined by album and digital sales, radio, streaming, social activity and touring data tracked by Billboard, Nielsen Entertainment and Next Big Sound. But, winners are decided by the fans. Fans can vote on the AMA website, as well as by mentioning the artist of choice with a hashtag of the category (and #AMAs) on Facebook and Twitter.

The American Music Awards, hosted by Jennifer Lopez, will air live on Sunday, November 22nd at 8 p.m. ET on ABC.

Check out the full list of nominations below.

Artist of the Year
Luke Bryan
Ariana Grande
Maroon 5
Nicki Minaj
One Direction
Ed Sheeran
Sam Smith
Taylor Swift
Meghan Trainor
The Weeknd

New Artist of the Year Presented by Kohl’s
Fetty Wap
Sam Hunt
Tove Lo
Walk The Moon
The Weeknd

Song of the Year
Wiz Khalifa Featuring Charlie Puth — “See You Again”
Mark Ronson Featuring Bruno Mars — “Uptown Funk”
Ed Sheeran — “Thinking Out Loud”
Taylor Swift — “Blank Space”
The Weeknd — “Can’t Feel My Face”

Collaboration of the Year Un-Leashed by T-Mobile
Wiz Khalifa Featuring Charlie Puth — “See You Again”
Rihanna & Kanye West Featuring Paul McCartney — “FourFiveSeconds”
Mark Ronson Featuring Bruno Mars — “Uptown Funk”
Skrillex & Diplo Featuring Justin Bieber — “Where Are Ü Now”
Taylor Swift Featuring Kendrick Lamar — “Bad Blood”

Favorite Male Artist — Pop/Rock
Nick Jonas
Ed Sheeran
Sam Smith

Favorite Female Artist — Pop/Rock
Ariana Grande
Taylor Swift
Meghan Trainor

Favorite Duo or Group — Pop/Rock
Maroon 5
One Direction
Walk The Moon

Favorite Album – Pop/Rock
Ed Sheeran — x
Sam Smith — In The Lonely Hour
Taylor Swift — 1989

Favorite Male Artist — Country
Jason Aldean
Luke Bryan
Sam Hunt

Favorite Female Artist — Country
Kelsea Ballerini
Miranda Lambert
Carrie Underwood

Favorite Duo or Group — Country
Zac Brown Band
Florida Georgia Line
Little Big Town

Favorite Album — Country
Jason Aldean — Old Boots, New Dirt
Florida Georgia Line — Anything Goes
Sam Hunt — Montevallo

Favorite Artist — Rap/Hip-Hop
Drake
Fetty Wap
Nicki Minaj

Favorite Album — Rap/Hip-Hop
J. Cole — 2014 Forest Hills Drive
Drake — If You’re Reading This It’s Too Late
Nicki Minaj — The Pinkprint

Favorite Male Artist — Soul/R&B
Chris Brown
Trey Songz
The Weeknd

Favorite female Artist — Soul/R&B
Beyoncé
Mary J. Blige
Rihanna

Favorite Album — Soul/R&B
Chris Brown — X
D’Angelo and The Vanguard — Black Messiah
The Weeknd — Beauty Behind the Madness

Favorite Artist — Alternative Rock
Fall Out Boy
Hozier
Walk The Moon

Favorite Artist — Adult Contemporary
Ed Sheeran
Taylor Swift
Meghan Trainor

Favorite Artist — Latin
Enrique Iglesias
Ricky Martin
Romeo Santos

Favorite Artist — Contemporary Inspirational
Casting Crowns
Hillsong United
MercyMe

Favorite Artist — EDM
Calvin Harris
David Guetta
Zedd

Top Soundtrack
Fifty Shades of Grey
Empire: Original Soundtrack from Season 1
Pitch Perfect 2

MAY 14- The second the lights dimmed at the Fonda Theater, shrieks from teenage girls filled the room. As James Bay took center stage at the Los Angeles venue, with his long brown hair under his signature wide brimmed hat, and bright red guitar against his chest, the booming bluesy guitar riffs for “Collide” invigorated the crowd. Even on a cold and rainy Thursday night, there was excitement in the air.

Immediately, after he took lead in front of his band, it was easy to see why this 24-year-old from Hertfordshire, England is taking the music scene by storm, Bay has a presence that is undeniable. Bay combines his soulful voice, bluesy guitar solos, and contemporary songwriting into a unique sound that brings a wide range of genres together. You can’t quite pin him down into one area, because the mood and style from one song to the next is so different. It’s just James Bay.

James Bay Opens With “Collide”

Bay emerged onto the scene in 2013, after being discovered through a YouTube video and by the end of 2014, he had won the Brit award (the British equivalent of the Grammy Awards) for Critics’ Choice. Past winners include Sam Smith, Ellie Goulding, Florence and the Machine, and Adele, all of which have had massive success in the US. Clearly in good company, Bay has followed in his predecessors footsteps. But Bay knew that if anything, his early success just meant he has more to prove. In an interview with The Independent, Bay said of his Brit win: “I’m hugely appreciative of the recognition. But then I’ll go away and work on how great my live set is gonna be. I’ve got stuff to prove. That’s the crazy thing about the Critics’ Choice Award, you get it before you’ve really done much.”

Photo by Rosemary Vega

But Bay has definitely been doing “much” since his win. His debut album, Chaos and the Calm, was released in March and peaked at number 15 on the Billboard 200 chart. Right before the release, he embarked on his very first headlining North American tour, starting in New York and ending in L.A.  Acknowledging that it was the last impression he’d make for the tour, Bay made sure to tell the crowd he’d give his “everything” for it. And alas- he did. His determination to prove himself was evident in every note, movement, and smile. Following “Collide,” Bay moved on to “Craving,” another song which showcased his guitar skills, skills that may not have been as obvious in his more popular songs, “Let It Go,” and “Hold Back the River.”

Towards the middle of the show, Bay gave his band a break and began an acoustic section of songs, “Running,” “Let it Go,” and “Move Together.” The slowed songs showcased the troubadour’s rasp and gritty vocals, mixed with beautiful falsettos that sent chills up and down arms. But the most powerful and emotional song was the folky, “Scars,” a song that he was only able to finish after two years of healing (and a reunion with his girlfriend). Bay really did seem to give his all to the performance, his voice echoing through the venue as the audience stood in silence taking in all his emotion.

Photo by Rosemary Vega

Changing the tempo completely, Bay picked things back up with “Best Fake Smile,” arguably the catchiest song of the record. The audience clapped and danced along to the booming chorus. At the culmination of the evening, Bay “ended” his set with “Get Out While You Can.” Again, Bay’s ability to switch from gritty vocals to beautiful high pitched falsettos was showcased in this Springsteen-esque rock song. Bay cleverly used his band to amplify this song, and they were able to showcase their talents in this one as well.

After some loud screams from the teenage girls and just about every “type” of person you could imagine in L.A. that made up the audience, Bay came back for his encore. After Bay sang “Incomplete” and a stunning cover of Alicia Keys’ “If I Ain’t Got You” (with an incredible guitar solo in the middle), there was no denying it: James Bay isn’t going anywhere. With his musicality, his vocal ability, his good looks, and yes, of course, that charming British accent, Bay has nowhere to go but forward.

Even though Bay was a man of little words between songs, the crowd’s enthusiasm for Bay was evident as everybody- women and men, young and old- sang along every word to every single song throughout his set. All of Bay’s emotions, musicianship, hard work and passion was left for all his fans (and some celebrities- Nick Fradiani, Niall Horan, and James Marsden were all in attendance) to see and feel as he ended the night with the song that began most people’s admiration, “Hold Back the River.” “Let’s do this again soon, Los Angeles” Bay said, which I don’t think anyone would be opposed to.

Earlier today, Sam Smith took to Instagram to announce he had to cancel his Australian tour due to a small small hemorrhage on his vocal cords. Sam wrote, “I am deeply, deeply saddened to tell my Australian fans, I have to cancel my Australian tour. I have been vocally exhausted for a while now however last night in Sydney I had a small hemorrhage on my vocal cords. The doctors have told me I need to fully rest until my vocal chords have healed, otherwise this could become a huge long-term issue. I am so sorry to all who have bought tickets, I truly am. We will be announcing re-arranged dates very shortly. This kills me.”

The cancellation includes sold out dates in Sydney, Melbourne, Adelaide and Perth, as well as TV appearances. Sam has not yet announced whether his Asian tour, which is set to kick off May 7 in Tokyo, will be affected.

Sam Smith took home four Grammy awards at the 57th annual edition of music’s biggest night, including Song of the Year, Record of the Year and Best New Artist. It’s quite a haul for someone unknown to mainstream audiences just a year ago.

“I’m having a really, really good night,” said the 22-year-old Smith upon receiving his Grammy for Song of the Year, which he won for “Stay With Me.”

Though Smith was clearly the night’s big winner, his wins represent just a small fraction of the total number of golden gramophones handed out at the Staples Center in Los Angeles—there were 83 in all.

Beyoncé and Pharrell pulled in three apiece, as did Rosanne Cash. Plenty of music’s top earners grabbed a smaller share of Grammy glory, including Lady Gaga and Tony Bennett (Best Traditional Pop Vocal Album), Tiesto (Best Remixed Recording, Non-Classical) and Rihanna (Best Rap/Sung Collaboration, with Eminem). And Beck shocked the world by nabbing the award for Album of the Year.

Read on to see the full list of Grammy winners below, information courtesy of Grammy.com. For continued coverage of the ceremony’s aftermath, follow me on Twitter.

1. RECORD OF THE YEAR

Stay With Me (Darkchild Version)

Sam Smith

Steve Fitzmaurice, Rodney Jerkins & Jimmy Napes, producers; Steve Fitzmaurice, Jimmy Napes & Steve Price, engineers/mixers; Tom Coyne, mastering engineer

Label: Capitol Records; Publishers: Sony/ATV Songs LLC obo Naughty Worlds Ltd./Universal-Polygram Int. Tunes, Inc. obo Salli Isaak Songs, Ltd./Universal Polygram Int. Tunes, Inc. obo Method Paperwork

2. ALBUM OF THE YEAR

Morning Phase

Beck

Beck Hansen, producer; Tom Elmhirst, David Greenbaum, Florian Lagatta, Cole Marsden Greif-Neill, Robbie Nelson, Darrell Thorp, Cassidy Turbin & Joe Visciano, engineers/mixers; Bob Ludwig, mastering engineer

Label: Capitol Records

3. SONG OF THE YEAR

Stay With Me (Darkchild Version)

James Napier, William Phillips & Sam Smith, songwriters (Sam Smith)

Label: Capitol Records; Publishers: Sony/ATV Songs LLC obo Naughty Words Ltd./Universal-Polygram Int. Tunes, Inc. obo Method Paperwork

4. BEST NEW ARTIST

Sam Smith

Label: Capitol Records

5. BEST POP SOLO PERFORMANCE

Happy (Live)

Pharrell Williams

Label: Columbia Records

6. BEST POP DUO/GROUP PERFORMANCE

Say Something

A Great Big World With Christina Aguilera

Track from: Is There Anybody Out There?

Label: Epic Records

7. BEST TRADITIONAL POP VOCAL ALBUM

Cheek To Cheek

Tony Bennett & Lady Gaga

Label: Streamline/Columbia/RPM/Interscope

8. BEST POP VOCAL ALBUM

In The Lonely Hour

Sam Smith

Label: Capitol Records

9. BEST DANCE RECORDING

Rather Be

Clean Bandit Featuring Jess Glynne

Grace Chatto & Jack Patterson, producers; Wez Clarke & Jack Patterson, mixers

Track from: New Eyes

Label: Big Beat/Atlantic

Syro

Aphex Twin

Label: Warp Records

11. BEST CONTEMPORARY INSTRUMENTAL ALBUM

Bass & Mandolin

Chris Thile & Edgar Meyer

Label: Nonesuch

12. BEST ROCK PERFORMANCE

Lazaretto

Jack White

Track from: Lazaretto

Label: Third Man Records/Columbia Records

13. BEST METAL PERFORMANCE

The Last In Line

Tenacious D

Track from: Ronnie James Dio – This Is Your Life

Label: Rhino

14. BEST ROCK SONG

Ain’t It Fun

Hayley Williams & Taylor York, songwriters (Paramore)

Track from: Paramore

Label: Fueled By Ramen; Publishers: WB Music Corp./But Father, I Just Want To Sing/FBR Music And Hunterboro Music/WB Music Corp/Justin’s Polite Music

15. BEST ROCK ALBUM

Ryan Adams

Ryan Adams

Label: Blue Note Records

16. BEST ALTERNATIVE MUSIC ALBUM

St. Vincent

St. Vincent

Label: Loma Vista Recordings / Republic

17. BEST R&B PERFORMANCE

Drunk In Love

Beyoncé Featuring Jay Z

Track from: Beyoncé

Label: Columbia Records

18. BEST TRADITIONAL R&B PERFORMANCE

Jesus Children

Robert Glasper Experiment Featuring Lalah Hathaway & Malcolm-Jamal Warner

Track from: Black Radio 2

Label: Blue Note Records

19. BEST R&B SONG

Drunk In Love

Shawn Carter, Rasool Diaz, Noel Fisher, Jerome Harmon, Beyoncé Knowles, Timothy Mosely, Andre Eric Proctor & Brian Soko, songwriters (Beyoncé Featuring Jay Z)

Track from: Beyoncé

Label: Columbia Records; Publishers: EMI Blackwood Music, Inc. obo Itself and If You Need Me Don’t Leave Me/WB Music Corp./Oakland 13 Music/Carter Boys Music/Warner-Tamerlane Publishing Corp./The Order Music/VB Rising Music Publishing/ole/Jerome Harmon Publishing

20. BEST URBAN CONTEMPORARY ALBUM

Girl

Pharrell Williams

Label: Columbia Records

21. BEST R&B ALBUM

Love, Marriage & Divorce

Toni Braxton & Babyface

Label: Def Jam Recordings

22. BEST RAP PERFORMANCE

I

Kendrick Lamar

Label: Top Dawg Entertainment/Interscope Records

23. BEST RAP/SUNG COLLABORATION

The Monster

Eminem Featuring Rihanna

Track from: The Marshall Mathers LP2

Label: Aftermath

24. BEST RAP SONG

I

K. Duckworth & C. Smith, songwriters (Kendrick Lamar)

Label: Top Dawg Entertainment/Interscope Records

Anaconda

25. BEST RAP ALBUM

The Marshall Mathers LP2

Eminem

Label: Aftermath

26. BEST COUNTRY SOLO PERFORMANCE

Something In The Water

Carrie Underwood

Label: Sony Nashville

27. BEST COUNTRY DUO/GROUP PERFORMANCE

Gentle On My Mind

The Band Perry

Track from: Glen Campbell, I’ll Be Me Soundtrack EP

Label: Big Machine Records

28. BEST COUNTRY SONG

I’m Not Gonna Miss You

Glen Campbell & Julian Raymond, songwriters (Glen Campbell)

Track from: Glen Campbell, I’ll Be Me Soundtrack

Label: Big Machine Records

29. BEST COUNTRY ALBUM

Platinum

Miranda Lambert

Label: RCA Nashville

The 2015 Grammy Awards

1 of 45

Kevin Mazur/WireImageThe 57th Annual GRAMMY Awards – Backstage And Audience

The 57th Annual GRAMMY Awards – Backstage And Audience

LOS ANGELES, CA – FEBRUARY 08: Paul McCartney, Kanye West and Rihanna attend The 57th Annual GRAMMY Awards at STAPLES Center on February 8, 2015 in Los Angeles, California.

30. BEST NEW AGE ALBUM

Winds Of Samsara

Ricky Kej & Wouter Kellerman

Label: Listen 2 Africa

31. BEST IMPROVISED JAZZ SOLO

Fingerprints

Chick Corea, soloist

Track from: Trilogy (Chick Corea Trio)

Label: Concord Jazz

32. BEST JAZZ VOCAL ALBUM

Beautiful Life

Dianne Reeves

Label: Concord Records

33. BEST JAZZ INSTRUMENTAL ALBUM

Trilogy

Chick Corea Trio

Label: Concord Jazz

34. BEST LARGE JAZZ ENSEMBLE ALBUM

Life In The Bubble

Gordon Goodwin’s Big Phat Band

Label: Telarc International

35. BEST LATIN JAZZ ALBUM

The Offense Of The Drum

Arturo O’Farrill & The Afro Latin Jazz Orchestra

Label: Motema

36. BEST GOSPEL PERFORMANCE/SONG

No Greater Love

Smokie Norful

Smokie Norful; Aaron W. Lindsey & Smokie Norful, songwriters

Label: Tre’Myles/Motown Gospel; Publishers: Capitol CMG Paragon, Aaron Lindsey Pub. admin. by CapitolCMGPublishing.com/Meadowgreen Music Company, Norful Music Publishing

37. BEST CONTEMPORARY CHRISTIAN MUSIC PERFORMANCE/SONG

Messengers

Lecrae Featuring For King & Country

Lecrae Featuring For King & Country; Torrance Esmond, Ran Jackson, Ricky Jackson, Kenneth Chris Mackey, Lecrae Moore, Joseph Prielozny, Joel Smallbone & Luke Smallbone, songwriters

Label: Reach Records; Publishers: Fellowship Of The Unashamed Music, WB Music Corp./Method To The Madness/Shankel Songs/Warner Tamerlane/Kilns Music/Aly Plane Music/Evident Music/Before I Die Publishing/Joseph Prielozny Music/Track Or Die Music LLC

38. BEST GOSPEL ALBUM

Help

Erica Campbell

Label: EOne/My Block

39. BEST CONTEMPORARY CHRISTIAN MUSIC ALBUM

Run Wild. Live Free. Love Strong.

For King & Country

Label: Fervent/Word/Curb

40. BEST ROOTS GOSPEL ALBUM

Shine For All The People

Mike Farris

Label: Compass Records

41. BEST LATIN POP ALBUM

Tangos

Rubén Blades

Label: Sunnyside Records

42. BEST LATIN ROCK, URBAN OR ALTERNATIVE ALBUM

Multiviral

Calle 13

Label: Sony Music Latin

43. BEST REGIONAL MEXICAN MUSIC ALBUM (INCLUDING TEJANO)

Mano A Mano – Tangos A La Manera De Vicente Fernández

Vicente Fernández

Label: Sony Music Latin

44. BEST TROPICAL LATIN ALBUM

Más + Corazón Profundo

Carlos Vives

Label: Sony Music Latin

45. BEST AMERICAN ROOTS PERFORMANCE

A Feather’s Not A Bird

Rosanne Cash

Track from: The River & The Thread

Label: Blue Note Records

46. BEST AMERICAN ROOTS SONG

A Feather’s Not A Bird

Rosanne Cash

Rosanne Cash & John Leventhal, songwriters (Rosanne Cash)

Track from: The River & The Thread

Label: Blue Note Records; Publishers: Chelcait Music admin. by Measurable Music LLC, a Notable Music Co./Lev-A-Tunes

47. BEST AMERICANA ALBUM

The River & The Thread

Rosanne Cash

Label: Blue Note Records

48. BEST BLUEGRASS ALBUM

The Earls Of Leicester

The Earls Of Leicester

Label: Rounder

49. BEST BLUES ALBUM

Step Back

Johnny Winter

Label: Megaforce Records

50. BEST FOLK ALBUM

Remedy

Old Crow Medicine Show

Label: ATO Records

51. BEST REGIONAL ROOTS MUSIC ALBUM

The Legacy

Jo-El Sonnier

Label: Takau Records

52. BEST REGGAE ALBUM

Fly Rasta

Ziggy Marley

Label: Tuff Gong Worldwide

53. BEST WORLD MUSIC ALBUM

Eve

Angelique Kidjo

Label: 429 Records

54. BEST CHILDREN’S ALBUM

I Am Malala: How One Girl Stood Up For Education And Changed The World (Malala Yousafzai)

Neela Vaswani

Label: Hachette Audio

55. BEST SPOKEN WORD ALBUM (INCLUDES POETRY, AUDIO BOOKS & STORYTELLING)

Diary Of A Mad Diva

Joan Rivers

Label: Penguin Audio

56. BEST COMEDY ALBUM

Mandatory Fun

“Weird Al” Yankovic

Label: RCA Records

57. BEST MUSICAL THEATER ALBUM

Beautiful: The Carole King Musical

Jessie Mueller, principal soloist; Jason Howland, Steve Sidwell & Billy Jay Stein, producers (Carole King, composer & lyricist) (Original Broadway Cast)

Label: Ghostlight/Razor & Tie

58. BEST COMPILATION SOUNDTRACK FOR VISUAL MEDIA

Frozen

Kristen Anderson-Lopez, Robert Lopez, Tom MacDougall & Chris Montan, compilation producers

Label: Walt Disney Records

59. BEST SCORE SOUNDTRACK FOR VISUAL MEDIA

The Grand Budapest Hotel

Alexandre Desplat, composer

Label: Abkco Music & Records

60. BEST SONG WRITTEN FOR VISUAL MEDIA

Let It Go

Kristen Anderson-Lopez & Robert Lopez, songwriters (Idina Menzel)

Track from: Frozen

Label: Walt Disney Records; Publisher: Wonderland Music Company, Inc.

61. BEST INSTRUMENTAL COMPOSITION

The Book Thief

John Williams, composer (John Williams)

Track from: The Book Thief Original Motion Picture Soundtrack

Label: Sony Classical, Fox Music; Publisher: Fox Film Music Corp.

62. BEST ARRANGEMENT, INSTRUMENTAL OR A CAPPELLA

Daft Punk

Ben Bram, Mitch Grassi, Scott Hoying, Avi Kaplan, Kirstin Maldonado & Kevin Olusola, arrangers (Pentatonix)

Track from: PTX, Vol. 2

Label: RCA Records

63. BEST ARRANGEMENT, INSTRUMENTS AND VOCALS

New York Tendaberry

Billy Childs, arranger (Billy Childs Featuring Renée Fleming & Yo-Yo Ma)

Track from: Map To The Treasure: Reimagining Laura Nyro

Label: Masterworks

64. BEST RECORDING PACKAGE

Lightning Bolt

Jeff Ament, Don Pendleton, Joe Spix & Jerome Turner, art directors (Pearl Jam)

Label: Republic Records

65. BEST BOXED OR SPECIAL LIMITED EDITION PACKAGE

The Rise & Fall Of Paramount Records, Volume One (1917-27)

Susan Archie, Dean Blackwood & Jack White, art directors (Various Artists)

Label: Third Man Records/ Revenant Records

66. BEST ALBUM NOTES

Offering: Live At Temple University

Ashley Kahn, album notes writer (John Coltrane)

Label: Resonance/Impulse

67. BEST HISTORICAL ALBUM

The Garden Spot Programs, 1950

Colin Escott & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Hank Williams)

Label: Omnivore Recordings

68. BEST ENGINEERED ALBUM, NON-CLASSICAL

Morning Phase

Tom Elmhirst, David Greenbaum, Florian Lagatta, Cole Marsden Greif-Neill, Robbie Nelson, Darrell Thorp, Cassidy Turbin & Joe Visciano, engineers; Bob Ludwig, mastering engineer (Beck)

Label: Capitol Records

69. PRODUCER OF THE YEAR, NON-CLASSICAL

Max Martin

Bang Bang (Jessie J, Ariana Grande & Nicki Minaj) (S)

Break Free (Ariana Grande Featuring Zedd) (S)

Dark Horse (Katy Perry Featuring Juicy J) (S)

Problem (Ariana Grande Featuring Iggy Azalea) (S)

Shake It Off (Taylor Swift) (S)

Unconditionally (Katy Perry) (S)

70. BEST REMIXED RECORDING, NON-CLASSICAL

All Of Me (Tiesto’s Birthday Treatment Remix)

Tijs Michiel Verwest, remixer (John Legend)

Label: Columbia Records

71. BEST SURROUND SOUND ALBUM

Beyoncé

Elliot Scheiner, surround mix engineer; Bob Ludwig, surround mastering engineer;Beyoncé Knowles, surround producer (Beyoncé)

Label: Columbia Records

72. BEST ENGINEERED ALBUM, CLASSICAL

Vaughan Williams: Dona Nobis Pacem; Symphony No. 4; The Lark Ascending

Michael Bishop, engineer; Michael Bishop, mastering engineer (Robert Spano, Norman Mackenzie, Atlanta Symphony Orchestra & Chorus)

Label: ASO Media

73. PRODUCER OF THE YEAR, CLASSICAL

Judith Sherman

Beethoven: Cello & Piano Complete (Fischer Duo)

Brahms By Heart (Chiara String Quartet)

Composing America (Lark Quartet)

Divergence (Plattform K + K Vienna)

The Good Song (Thomas Meglioranza)

Mozart & Brahms: Clarinet Quintets (Anthony McGill & Pacifica Quartet)

Snapshot (American Brass Quintet)

Two X Four (Jaime Laredo, Jennifer Koh, Vinay Parameswaran & Curtis 20/21 Ensemble)

Wagner Without Words (Ll_r Williams)

74. BEST ORCHESTRAL PERFORMANCE

Adams, John: City Noir

David Robertson, conductor (St. Louis Symphony)

Label: Nonesuch

75. BEST OPERA RECORDING

Charpentier: La Descente D’Orphée Aux Enfers

Paul O’Dette & Stephen Stubbs, conductors; Aaron Sheehan; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble)

Label: CPO

76. BEST CHORAL PERFORMANCE

The Sacred Spirit Of Russia

Craig Hella Johnson, conductor (Conspirare)

Label: Harmonia Mundi

77. BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE

In 27 Pieces – The Hilary Hahn Encores

Hilary Hahn & Cory Smythe

Label: Deutsche Grammophon

78. BEST CLASSICAL INSTRUMENTAL SOLO

Play

Jason Vieaux

Label: Azica Records

79. BEST CLASSICAL SOLO VOCAL ALBUM

Douce France

Anne Sofie Von Otter; Bengt Forsberg, accompanist (Carl Bagge, Margareta Bengston, Mats Bergström, Per Ekdahl, Bengan Janson, Olle Linder & Antoine Tamestit)

Label: Naïve

80. BEST CLASSICAL COMPENDIUM

Partch: Plectra & Percussion Dances

Partch; John Schneider, producer

Label: Bridge Records, Inc.

81. BEST CONTEMPORARY CLASSICAL COMPOSITION

Adams, John Luther: Become Ocean

John Luther Adams, composer (Ludovic Morlot & Seattle Symphony)

Label: Cantaloupe Music

82. BEST MUSIC VIDEO

Happy

Pharrell Williams

We Are From LA, video director; Kathleen Heffernan, Solal Micenmacher, Jett Steiger, video producers

Label: Columbia Records

83. BEST MUSIC FILM

20 Feet From Stardom

Darlene Love, Merry Clayton, Lisa Fischer & Judith Hill

Morgan Neville, video director; Gil Friesen & Caitrin Rogers, video producers

Label: Anchor Bay