Sunday’s Golden Globes brought lots of laughs, memorable photo bombs and — most importantly — amazing red carpet looks that left us excited to see what the rest of award season will have in store for us.

Robin Wright has been having quiet the year so far with her engagement to actor Ben Foster, and her Golden Globe win for Best Actress — if only we all could have some of her luck this year. Let’s not forget how gorgeous she is and Sunday’s Golden Globes was no exception where she was the epitome of sex appeal, class and a bit of edge.

We caught up with celebrity hairstylist, and the man responsible for Robin’s sleek locks of night, Paul Norton for the details behind her look. Norton credited her beautiful, sparkling, nude Reem Acra dress as his inspiration for the look then he shared how he achieved this effortlessly sleek look.

Here are the steps to recreate Robin Wright’s Pixie perfection:

1. Norton prepped her damp hair with Joico Smooth Cure Shampoo and Conditioner to tame those pesky fly-aways.

2. He then gave her a quick trim to freshen her undercut and applied Joico’s JoiWhip firm-hold design foam.

3. Norton then blew Robin’s hair dry with a small Mason Pearson brush.  After applying Joico Texture Boost dry spray wax he selected sections throughout her hair lengths and began pinching and directing her hair forward. In Robin’s fringe area, he swept her hair to one side, allowing her cropped side to show giving it an edgy sexy feel.

“This gives the hair a nice edge, while keeping it super sexy and alluring with bangs that cascade over the brows,” said Norton.

4. Lastly for long-lasting, yet touchable hold and a great boost of shine, he finished with a mist of Joico JoiMist Firm finishing hair spray.

How to get Robin Wright’ s makeup look:

The secrets to Robin’s look did not stop there celebrity makeup artist, Tricia Sawyer, gave us the inside scoop on how she achieved Robin’s radiant look. Orlane products were Sawyer’s secret to achieving this look.

1. To prep the skin, Sawyer used Orlane’s Absolute Skin Recovery Anti-Fatigue Masque. Afterward, she applied Anti-Fatigue Absolute Radiance Cream all over the face. “I love this cream because it helps to retain moisture for long periods of time and Robin has a long night ahead of her so it’s perfect!” Sawyer said.

2. Using Orlane’s Absolute Skin Recovery Smoothing Foundation in Shade 20 with the Antonym Foundation Brush, Sawyer gave Wright that great coverage and concealed her uneven spots — you know the annoying ones we all have. To set the foundation, she dusted Orlane’s Poudre Libre all over the face.

3. To attract light for all the photos Wright would be taking  throughout the night Sawyer made sure to highlight her face. She used a shine stick on Wright’s cheekbones, cupid’s bow, and the center of her nose. She then used a Dior coral blush on the apples of her cheeks and the Orlane Bronzer under her cheekbones and on her jawline for more dimension.

4. For Wright’s eyes, Sawyer applied Antonym’s Certified Natural Eyeliner in Noir along the inside of the eyes and on the outer rim. She smudged it out with a small eye shadow brush and then used a customized eye shadow palette for a nude look. After applying a strip of lashes, she applied Orlane’s Volume Care Mascara on the lashes. To give her lips a bit of color, Sawyer used Dior Addict’s Gloss in #343.  She then used Orlane’s Refining Arm Cream to moisturize Robin’s arms and finished the look by applying Orlane Bronzer to give her an overall bronze-y look.

“Ain’t Them Bodies Saints,” directed by David Lowery, is a film we’ve all seen before, and yet delivers a unique experience. The film, also written by Lowery, is a love story about Bob (Casey Affleck) and Ruth (Rooney Mara), two outlaws who are forced to separate due to their crimes.

The film begins with a shoot out between Bob, Ruth, an accomplice and the cops. Although we don’t know the exact crime that led to this point, Ruth’s shock and fright after wounding an officer, Patrick (Ben Foster) reveals that the crimes probably consisted of theft and not physically harming people. Bob takes the blame for everything in hopes that his pregnant girlfriend will get away with no punishment. The lovers share an intimate moment while handcuffed, kissing and whispering to each other as they walk to the police car surrounded by cops.

Bob is sent to jail after taking the fall, leaving Ruth to raise their child, Sylvie, alone. Some years pass, and Bob, determined to live the rest of his life alongside Ruth and Sylvie, escapes from prison. A love triangle forms as it becomes evident that Patrick has developed feelings for Ruth throughout the years, even though, as it is revealed in a quiet scene between the two, he suspects she was the one who shot him.

This film definitely won’t be everyone’s cup of tea as it leaves many questions unanswered. The film is a quiet, romantic love story about two people forced apart, and that’s all you really need to know. Lowery has said he wanted the film to be like a folk song, and it was exactly that. In a song, you don’t get all the details about the background of the heartbreak, but simply the feeling of the heartbreak. “Ain’t Them Bodies Saints,” does exactly the same. While many reporters have asked Lowery for details about the crimes Bob and Ruth committed or about their childhood, there’s a reason that was all left out. The film allows the audience to imagine their own stories for what takes place before Ruth and Bob are caught, while also relating to the feeling of doing anything to be with the one you love. The lack of details allow you to see past the criminality in these two lovers lives, and allows you to focus on the pureness of their love, which in turn, has you rooting for the two to be together again.

The film’s romantic, beautiful, quiet quality is attributed to three things: the cinematography, music, and acting. Director of photography, Bradford Young, did a spectacular job of painting a beautiful landscape for the film. The film is filled with gorgeous scenery in that perfect magic hour lighting and moody silhouettes to create the perfect ambience for the folk song-esque movie. To accompany that, David Hart created a lovely score filled with handclaps. Rooney Mara, Casey Affleck, and Ben Foster all deliver spectacular performances. “Ain’t Them Bodies Saints” is not a dialogue heavy film, which could easily lead to boring interpretations of the characters. But the subtle movements, stares, and silences make the performances all the more engrossing.

The film is out now (August 16) in a limited amount of theaters.

Reach Managing Editor Rosemary Vega here.